blo1235 
Juniperus Virginianus.
Red Cedar. N. O. Gymnospermae of the Coniferae. Tincture of fresh twigs. Tincture of twigs and berries. Tincture of the oil.
Clinical.-Apoplexy. Convulsions. Eyes, twitching of. Strangury. Tetanus. Uterine haemorrhage.
Characteristics.-The effects of Jun. v. have been largely observed on women who have taken it to procure abortion or bring on the menses. A number of fatal cases have occurred, the patients passing into violent convulsions, followed by an apoplectic condition, insensibility, and collapse.
Relations.-Compare: Sabina, Junip. c.
SYMPTOMS.
1. Mind.-During paroxysm (of fever) raved incoherently.-Moaned most piteously.-Fright.-During the morning of her death lay in a stupid state; answered no questions and did not appear to be sensible.-As the convulsions continued the stupor became more and more profound; when they ceased coma ensued.-She lay apparently in a deep comatose sleep until about nine o’clock next day., when she woke to perfect consciousness, with no recollection of what had occurred since swallowing the oil.
2. Head.-Dizzy.-Head felt as if enclosed with an iron band.-Jerking of head.
3. Eyes.-Eyes began to glare and twitch; felt as if bursting from their sockets.-Jerking of eyes and head.-Pupils dilated.
6. Face.-Very red face.-Venous aspect.-Face swollen and livid.-Veins of face, head, and neck fully distended.-One half lower lip and part of chin and side of mouth much swollen and dark coloured as if bruised; tongue and gums also involved in the swelling and lividity.-Jaws firmly fixed.
8. Mouth.-Thought it would take the skin from her mouth and throat.-Could not speak so as to be understood; she articulated like one having hemiplegia.
9. Throat.-Fauces in spots denuded of their mucous covering.
11. Stomach.-Great thirst.-Sick and distressed at her stomach.-Vomited between the fits; vomited matter smelt of cedar oil.-Vomited black matter; afterwards green; vomiting continued all day.-Considerable distension and tenderness at pit of stomach.-Pain in stomach.-Burning in stomach.
12. Abdomen.-Abdomen swollen and hot; intense pain in abdomen.
13. Stool.-Violent purging which continued till death.
14. Urinary Organs.-Great difficulty in passing urine.
16. Female Sexual Organs.-Uterine haemorrhage.-Considerable fever and pains like labour-pains.
17. Respiratory Organs.-The soft parts about the neck were sucked down at every effort at inspiration, and the lower jaw descended.-Stertor continued for a few minutes; it was succeeded by breathing of a very different kind; and the chief character of this was an unsuccessful heaving of the chest in inspiration for breath, and a limp dropping together of the chest in expiration.-Expiration slow and without assistance from the expiratory muscles, the chest appeared to fall together from its own weight.
19. Heart.-Pulse less than 60, afterwards sank to 45, then intermitted.-Pulse fluttering, feeble, slow, very irregular.-Almost pulseless.
22. Upper Limbs.-Hands at times clenched.
23. Lower Limbs.-Staggering.
24. Generalities.-Twitching of the muscles.-A most violent convulsion came on and all further consciousness was lost for twelve hours.-All voluntary muscles tightened with the most rigid spasm, whole body jerking, eyes glassy, pupils dilated a little, pulse 60, respiration struggling, catching, and strangling; followed by another paroxysm, which, as in other cases, began by a jerking of the eyes, followed by a jerking of the head, contraction of muscles of one side of face and neck, then those of the other side, of back of neck, of arm, trunk, and extremities, accompanied by an imploring reaching out of the arm, groan, if groan that noise could be called, glaring eye, and natural language of the most extreme terror and amazement, and this succeeded by jerking of the whole body; so heart-sickening was her appearance that some bystanders fainted; the interval between the paroxysms was imperfect and the patient was inconstant motion; three men could not hold her. Something had to be kept between the teeth to prevent them shutting.-After the convulsions ceased an apparently apoplectic state came on with stertorous breathing, twitching of voluntary muscles, venous countenance and slow pulse.-After the fever, much exhausted.-Much exhausted or in a state of prostration when she attempted to inspire; when the air passed out of the chest, all strength seemed wanting.-Sore all over.
26. Sleep.-Could be aroused a very little, but would immediately doze away again.
27. Fever.-Rigors followed by fever.-Feverish.-Considerable fever and pains like labour-pains.-Skin dry and parched.
“Materia Medica” is a term commonly used in the field of homeopathy to refer to a comprehensive collection of information on the characteristics and therapeutic uses of various natural substances, including plants, minerals, and animal products.
One such work is “Materia Medica,” a book written by Benoit Mure, a French homeopath, in the 19th century. The book is considered a valuable resource for homeopaths and is still widely used today.
In “Materia Medica,” Mure provides detailed information on over 100 homeopathic remedies, including their sources, preparation methods, physical and mental symptoms, and indications for use. He also discusses the philosophy and principles of homeopathy, as well as its history and development.
The book is known for its clear and concise writing style, and it has been praised for its accuracy and depth of knowledge. It remains a popular reference for homeopaths and students of homeopathy.
Overall, “Materia Medica” by Benoit Mure is an important work in the field of homeopathy and is highly recommended for anyone interested in learning about the use of natural remedies in the treatment of various health conditions.
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Homoeopathy is a system of alternative medicine that is based on the concept of “like cures like.” It uses highly diluted substances that are believed to cause similar symptoms as the illness being treated.
There are many online homoeopathic Materia medica, which are resources that list and describe the properties and uses of different homoeopathic remedies. Some popular online homoeopathic Materia medica include:
Boericke’s Materia Medica: A comprehensive reference guide to homoeopathic remedies, including information on their uses, indications, and dosages.
Clarke’s Dictionary of Homeopathic Materia Medica: A well-respected and widely used reference that includes information on the symptoms that each remedy is used to treat.
Homeopathic Materia Medica by William Boer Icke: A popular homoeopathic reference book that provides in-depth information on a wide range of remedies, including their indications, symptoms, and uses.
The Complete Repertory by Roger van Zandvoort: A comprehensive online reference that provides information on remedies, symptoms, and indications, and allows users to search for treatments based on specific symptoms.
There are many writers who have contributed to the development of homoeopathic materia medica. Some of the most well-known include:
Samuel Hahnemann: The founder of homoeopathy, Hahnemann wrote extensively about the use of highly diluted substances in treating illness. He is best known for his work “Organon of the Medical Art,” which outlines the principles of homoeopathy.
James Tyler Kent: Kent was an American homoeopathic physician who is known for his contributions to homoeopathic materia medica. He wrote “Repertory of the Homeopathic Materia Medica,” which is still widely used today.
William Boericke: Boericke was an Austrian-American homoeopathic physician who wrote the “Pocket Manual of Homeopathic Materia Medica.” This book is considered one of the most comprehensive and widely used homoeopathic reference books.
George Vithoulkas: Vithoulkas is a Greek homoeopathic physician and teacher who has written several books on homoeopathic materia medica, including “The Science of Homeopathy” and “Essence of Materia Medica.”
Robin Murphy: Murphy is an American homoeopathic physician who has written several books on homoeopathic materia medica, including “Homeopathic Clinical Repertory” and “Homeopathic Medical Repertory.”
